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Five ways Seth MacFarlane’s Western died at the box office
Maybe Seth MacFarlane is better heard, not seen.
The “Family Guy” creator’s A million ways to die in the west part 2 Western comedy “A Million Ways to Die in the West” disappointed at the box office, grossing $17.1 million through Sunday domestically and thus missing opening weekend expectations of $20 million to $25 million.
That was about a quarter of the three-day haul from the weekend’s No. 1 movie, Disney’s revisionist fairy-tale “Maleficent,” starring Angelina Jolie, which grossed $70 million. It also fell well below MacFarlane’s first big-screen directing effort, the 2012 stuffed-animal-comes-to-life hit “Ted,” which opened to $54.4 million.
No one expected “A Million Ways,” about a craven farmer who faces a million ways to die in the west part 2 fearsome gunslinger, to match “Ted.” But distributor Universal Pictures put a lot of money in marketing the movie and created plenty of pre-release awareness. And with the gold rush for Universal’s “Neighbors,” the studio has proved there’s an appetite for R-rated movies with gross-out gags.
Here are some possible reasons for why “Million Ways to Die” didn’t hit its box-office target.
Seth MacFarlane as leading man? He is undeniably a comedy force, but he’s not Mark Wahlberg. There’s no doubt that “Ted” bringing on the movie star as the human counterpart increased the chances that the badly behaved teddy bear voiced by MacFarlane would click with viewers. For “A Million Ways,” MacFarlane put himself, in the flesh, in front of the camera, and this may have limited its draw.
MacFarlane has had plenty of success with cartoon voice-overs, but the last time many Americans saw his face was when he was hosting of the Oscars and singing “We Saw Your Boobs.”
Few yee-haws from critics. Critics generally disliked it, and that could have contributed to the misfire. “A Million Ways to Die” holds a 33% “fresh” rating on Rotten Tomatoes, with many critics making unfavorable comparisons to Mel Brooks’ classic Western send-up “Blazing Saddles.” Moviegoers gave it a grade of B, indicating that word-of-mouth could be limited.
Westerns are box-office roulette. The Western may be the quintessential American genre, but its box-office pull has declined in recent years. On the one hand, Quentin Tarantino’s “Django Unchained” was a huge hit in 2012 and the Coen brothers’ “True Grit” remake did strong business in the U.S. But the category contributed one of last year’s most notorious flops (“The Lone Ranger”) and in 2011 saw the disappointment of “Cowboys & Aliens.”
Didn’t die young. “Ted” and “Neighbors” had something in common: They skewed young. “Neighbors,” with the help of Zac Efron, generated about 47% of its opening weekend ticket sales from people under 25. Just 28% of the audience for “A Million Ways” was in that bracket. In the glass-half-full scenario, older moviegoers tend to see theatrical releases after the opening weekend, extending the life span of some movies. But it appears the audience was simply more interested in “X-Men.”
Killer competition. There was plenty else to choose from this weekend besides a dirty Western. “Maleficent” bewitched the box office, and there’s still “X-Men: Days of Future Past” in second place and Warner Bros.’ “Godzilla” in fourth. The bright side for “A Million Ways” is that it wasn’t expensive. It cost just $40 million to make.
Seth MacFarlane & Charlize Theron- A Million Ways To Die In The West Video Interview
Seth MacFarlane & Charlize Theron - A Million Ways To Die In The West Part 1
Seth MacFarlane & Charlize Theron - A Million Ways To Die In The West Part 2
Seth MacFarlane & Charlize Theron - A Million Ways To Die In The West Part 3
Seth Macfarlane and Charlize Theron are interviewed about their new movie 'A Million Ways To Die In The West'; a Western parody about the dangers of living in a small town full of guns and outlaws. It is director and writer Seth's second live action movie and his first stint as an on screen actor.
On the movie's concept, Seth explains: 'When the sun goes down you pretty much have nothing to do, you just go to bed and get up early the next day and be bored and scared all over again. It was just a big dangerous bummer. And when you were not an alpha of any kind, that probably was not a pleasant place to be.' Charlize also commends Seth on his filmmaking abilities. 'It makes you feel as if you are wasting your life away when you spend a lot of time with Seth because he's got open a checking account online chase bank a vast interest in a lot of things but he doesn't go about it in this kind of half-a**ed way', she says. install us bank app think what's more impressive, not that he does so much, but that he does all of it so well and so effortlessly.'
Featuring:Seth MacFarlane, Charlize Theron
Official Site - http://www.amillionways.co.uk
Unforgivable: A Million Ways To Die In The West, Reviewed.
1. Think about how much of an indictment it is to say, "All the good jokes are in the trailer" about a movie. Trailers, at most, are three minutes long. A Million Ways to Die in the West runs 116 minutes. That is a ton of time to comb through to dig out a a million ways to die in the west part 2 Guy-esque gag about running into Emmet Brown and his DeLorean, and Seth MacFarlane being victoria secret perfume black angel in the head with a plate. It makes you appreciate the job of a trailer editor. What must he or she have thought? "Shit, I gotta pull something together out of this?"
2. A Million Ways to Die in the West is the type of movie in which you find yourself counting the number of times you laugh. I ended up at three. To be fair, had I not seen the flux capacitor joke in the trailers, there might have been four. The movie is poorly written (the title is explicitly stated in dialogue at least four times), poorly directed, and poorly conceived from the entergy login pay bill. It takes skilled actors and strands them with nothing to do—a particular shame, because I personally would love to see what people like Charlize Theron and Liam Neeson could do if they were in a comedy. Because they're not in one here.
3. At this point, I should probably mention that I—to some renown in these parts—did not like Ted, Seth MacFarlane's hit 2012 comedy about a racist teddy bear who smoked weed. I still don't think that movie's any good, but it is Young Frankenstein compared to A Million Ways to Die in the West. I think what's most surprising about this movie is how weirdly slack it is when it comes to actually making jokes. You see "Seth MacFarlane makes a faux Western," and you expect it to be packed with gags, overflowing with fart jokes and pop-culture references. But no, MacFarlane, sort of insanely, wants us to take this seriously. There's a love story, and sappy dialogue played entirely straight, and full multiple-minute scenes in which Neeson terrorizes the citizenry without a joke to be had. MacFarlane keeps changing his mind whether or not he's sending all this up, which makes the movie just limp from scene to scene. (Even the musical number feels half-hearted.) I might not like his comedy, but with Ted, you had to at least appreciate his commitment to throwing every potential joke at the wall without much concern over how many of them landed. Here, the joke-to-running-time ratio is dangerously low. It's like he couldn't be bothered.
4. I'm not sure it would gracias karaoke jose alfredo jimenez worked anyway, because MacFarlane a million ways to die in the west part 2 such a charmless dud at the center of his movie: Himself. He is not a seasoned performer in the first place—he always sort of seems to be standing next to himself, smirking—but asking him to carry a movie as flimsy as this is the sort of disastrous decision that could only be made out of self-absorption. This is a Wayward Boob role, the modern-day comedian placed in an anachronistic setting, and you need a specific sort of persona to pull it off. (Bob Hope invented this, but Gene Wilder, Woody Allen, Peter Sellers, even Eddie Murphy have all handled it deftly.) Whereas MacFarlane's default persona is "bland doof." He sort of shambles aimelessly from one scene to another—he even seems to have bad posture—and when it comes time for him to emote (because he has written scenes where he needs to emote), he scrunches up his eyes and gazes blankly forward. MacFarlane is not untalented, but suffice it to say he doesn't have natural, easy charm as a performer. And, typical of the self-aggrandizement at hand, he has written himself the only part with anything to do. Putting him at the center of the film was suicide.
5. The saddest part about A Million Ways to Die in the West is that you can sense MacFarlane holding back, as if he saw this as a way to "mainstream" himself, file off the rough edges—make himself a leading man, a conventional hero. The movie isn't nearly as cheerfully offensive as Ted was; there's a black joke here, a gay joke there, an Asian joke every once in a while, but otherwise, the movie takes it easy on MacFarlane's signature "edgy" humor. He really thinks he's behaving. But if you take away the schtick, all that's left is a shaking, scared nerd right in the middle of the frame, desperately trying to convince us Charlize Theron thinks he's funny and wants to kiss him. Roger Ebert, in his review of the Andrew "Dice" Clay concert film Dice Rules, wrote that it "could not be more damaging to the career of Andrew Dice Clay if it had aep pay my bill by phone made as a documentary by someone who hated him." That's sort of how I feel about A Million Ways to Die in the West. This movie feels like it was made by someone who wanted to humiliate Seth MacFarlane. Maybe it was.
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A Million Ways to Die in the West Review
Heartbroken, Albert falls to pieces until he meets the beautiful but mysterious Anna (Charlize Theron), who takes a shine jose abreu fangraphs him and tries to help him a million ways to die in the west part 2 up. After losing his temper and challenging Foy to a duel, Albert realizes he has no gunfighting skills and is utterly doomed. Not to fear. Anna is a crack shot and takes to training Albert, even as she withholds from him her ties to the territory's most dastardly outlaw, Clinch (Liam Neeson). Surprise surprise, events will find a way to ultimately pit Albert against Clinch in a showdown.You'll likely enjoy A Million Ways to Die in the West far more if you've managed to avoid any of the trailers or commercials. There were hardly any big or memorable jokes in the film that weren't already included in its marketing materials. Most of the movie's depictions of the titular ways to die in the west were shown in promos. Ditto many of the best lines. You may still chuckle at experiencing the same jokes again, but not enough to make for a fully satisfactory theatrical viewing experience.
Stripped of funny voices or animated protagonists, MacFarlane has only his human form to rely on here. While he's got timing and some physical comedy skills, he's just not a lively enough presence onscreen. And without the buffer of animation, his overall storytelling technique -- cutaways, pop culture references, and politically incorrect humor -- will strike many as simply crudely done and mean-spirited. Ted worked because it was a cute bear saying and doing those crazy things; a human being doing that simply provokes a different reaction from a viewer. (I never watched it, but my colleagues inform me this was the same dilemma that plagued MacFarlane's now canceled sitcom Dads.)
Despite his missteps here, MacFarlane's a smart guy who wisely surrounds himself with a solid ensemble cast. Theron brings a needed energy to the proceedings, while Giovanni Ribisi and Sarah Silverman have a dopey sweetness in their scenes as Albert's pal Edward and his prostitute girlfriend Ruth. Seyfried is serviceable as the ex that Albert is hung up on, but it's Neil Patrick Harris who walks best online banks for joint accounts with every scene he's in. His verbal wit and physical comedy skills damn near steal the show, with his "Mustache Song" being a a million ways to die in the west part 2 sequence.Neeson's fine albeit a bit wooden as the one-note villainous gunslinger, while Street Fighter's Wes Studi pops up as Cochise. On the technical side, cinematographer Michael Barrett and composer Joel McNeely approach the film as if they were making a classic '60s western and they deliver the goods in their respective departments.
MacFarlane's die-hard fans may find the silver lining in this movie, but everyone else -- particularly those who may only see the film because it's "from the guy who brought you Ted" -- will likely find A Million Ways to Die in the West one of this summer's big disappointments.
Was this article informative?
Basically, one movie is about how in the past we were ignorant jerks who died from disease and our own violent tendencies towards each other, and the other movie is about how we as a society could very well let our own ignorance allow us to be violent towards each other in the near-future. It's just that in one nature plays a big role in killing people and in the other its an effort to reduce a population no longer affected by disease as much. The big question of course is if they are good movies, and I would say yeah, they're above-average if not amazing. Let's discuss them both now!
"A Million Ways to Die in the West"
Basically MacFarlane plays a nerdy guy who capital one pre approval no credit check kind of a loner except for his girlfriend who towards the start of the movie leaves him for a jerk obsessed with his fancy mustache--played deliciously by Neil Patrick Harris. However, MacFarlane meets a nice women in the form of Charlize Theron's character, but what he doesn't know is that she's actually the wife of an evil bandit played by Liam Nesson (who used to play sweet roles like the dad in "Love Actually" but since "Taken" seems to portray a lot of rough fellows).
3 out of 5 stars.
"The Purge: Anarchy"
The problem with the first "The Purge" movie was that it wasn't quite sure if it wanted to be a piece of social commentary or a horror film about a home invasion. "The Purge: Anarchy" moves away from the horror-angle into more of a straight-up action film with dashes of the social commentary. It works these message into the movie in a style a bit more elegantly than the first one with its occasionally ham-fisted, "Hey, we're making a statement here!" style.
These movies are made on a relatively tiny-budget in terms of wide-release moviesand go on to do gangbusters in the theaters, so they seem to have touched enough of a societal nerve that a 3rd entry in the series is assured. I suppose by appealing to the part of us that wants to see violent action whilst also giving us a little bit of food-for-thought a successful formula has been stumbled upon-- e.g. "Let's give them violence but with enough of a message it doesn't feel like mindless blood and gore!" That said, the formula does result in a pretty enjoyable movie even if it still feels like the concept of the Purge is more interesting than "The Purge" movies themselves currently. Perhaps the fact that the 3rd film might be a prequel will shed some light on the origins of The Purge and be even more interesting--we can honestly only wait and see. That said, this is a solid.
3.5 out of 5 stars.
Quite Good, Just Not Great
"A Million Ways to Die in the West," and "The Purge: Anarchy" both tackle the subject of how we treat our fellow human, albeit in greatly different tones. Both show that even in a miserable world there can be good out there, but to be careful whom you trust because you could very well end up dead. Each movie also isn't necessarily great, but still quite good and a pleasant enough way eke out some entertainment. So yes, check them out should you need to fill a couple hours.
A Million Ways to Die in the West Blu-ray
A Million Ways to Die in the West Blu-ray Review
Maybe more like Billowing Embers Saddles.
Reviewed by Jeffrey Kauffman, September 26, 2014
What would be the first adjective you'duse to describe Seth MacFarlane? Hilarious? Hackneyed? Genius? Juvenile? MacFarlane is an unusually eclectic creative force who seems to delight equally in the sorts of boorish behaviors frequently on display in his long running animated series Family Guywhile also being simultaneously intrigued by the wonders of the universe as revealed in Cosmos: A Spacetime Odyssey, a series he helped to guide back onto the airwaves. And perhaps for that reason alone, no single adjective may be able to adequately capture the breadth of MacFarlane's interests and approaches. That said, whatever side of the line between enjoyable prankster and annoying jerk you come down on will probably a million ways to die in the west part 2 whether or not you feel MacFarlane's latest feature film A Million Ways to Die in the West, hits the bullseye or simply is a stray bullet ricocheting off of John Fordian landscapes. Like most MacFarlane outings, A Million Ways to Die in the Westis a grabbag of a million ways to die in the west part 2 and comedic approaches, and there's absolutely no denying that fidelity home mortgage login of the gags land, producing giggles if not outright guffaws. But in that grabbag are just as many lame moments, with the result being that MacFarlane's kind of weird combination of snark and innocence only fitfully manages to deliver the Wild West goods.
Before even one lame or effective gag can traipse through the frame, MacFarlane announces he's going to at least refer visually to the great western directors like John Ford and Howard Hawks with some gorgeous deep focus shots of incredible American vistas stretching as far as the eye can see. In fact A Million Ways to Die in the Westis easily MacFarlane's most scenic film, filled with grand crane shots establishing various locales and providing an epic sweep that is (probably intentionally) comically at odds with the faltering, stumbling demeanor of the film's hero, sheep farmer Albert Stark (Seth MacFarlane). The film begins with one of the hoariest tropes in the annals of the western, the high noon showdown on Main Street, with Albert literally tripping into the scene, evidently late to what may very well be his own execution.
That sets up one of the central comedic tenets of A Million Ways to Die in the West, where a standard genre convention will get tweaked by a considerably contemporary delivery. While everyone else in this scene seems at least more or less at home in their Old West countenances, MacFarlane's Albert is a distinctly modern creature, full of psychobabble and other ironic sensibilities as he attempts to talk himself out of a gun battle he already knows he has no chance of winning. Later, other characters like female bandit and eventual love interest Anna Barnes-Leatherwood (Charlize Theron) will join Albert in repeated droppings of the F-bomb and other au courantlanguage that provides much of the film's verbal humor. It's the tension between setting and depiction that repeatedly forms the basis for much of MacFarlane's comedy throughout the film, and as with most attempts of this ilk, it leads to both spotty a million ways to die in the west part 2, ultimately, diminishing returns.
Albert's shirking from the gunfight at the head of the film and Theron's Anna turn out to be the two major motivators of A Million Ways to Die in the West's bifurcated plot. Albert has been seeing Louise (Amanda Seyfried), but Louise is status conscious and doesn't want to be seen with a man thought to be a coward. She soon takes up with the foppish Foy (Neil Patrick Harris), a local entrepreneur who runs a mustache shop (he sports a rather villainous one himself).
Anna enters the picture soon thereafter, though originally not in Old Stump. She is in fact the wife of vicious bad guy Clinch Leatherwood (Liam Neeson), and their introduction comes courtesy of a highway robbery where they take an old prospector's gold. Clinch has bigger plans, though, and he sends Anna and one of his henchmen to Old Stump to hang out until the appointed time. When Anna arrives in the dusty town, circumstances of course pull her into contact with Albert, and when Albert and Anna run into Louise and Foy at the local fair, things go from bad to worse until Albert finds himself challenged to another gunfightthis time by Foy.
In the meantime, Anna's skill with firearms has been revealed (and is in fact one of the reasons Albert now finds himself challenged by Foy), so she takes her neurotic would be boyfriend under her wing and attempts to teach him to shoot. MacFarlane follows a fairly predicable story arc here, letting the romantic sparks start to kindle between Anna and Albert while reserving the reappearance of Clinch in the third act to cause a wrinkle or two and keep the lovers apart, if only for a little while.
A Million Ways to Die in the Westhas some effective bits, but much of the verbal humor comes from the deliberate clash of a contemporary patoiscolliding with Old West clichés. MacFarlane is of course not above (repeatedly) using potty humor (a big gag toward the end of the film has to do with diarrheahilarious) and sexual situations (Sarah Silverman portrays a local "working girl" involved with a nebbish played by Giovanni Ribisi). MacFarlane's own peculiar brand of deadpan works best in bits like the big SFX laden hallucination Albert experiences while on a "Vision Quest" with the local Native Bank of the west payoff address. At other times, he seems to be attempting to channel a neo- modern version of Woody Allen, a tic filled neurotic not quite able to cope with the "modern" world, but a million ways to die in the west part 2 up with the impossibly gorgeous girlfriend anyway.
That turns out to be a somewhat risky gambit for a performer who has a certain likably smarmy element to his personality, something that's distinctly different from Allen's own patented brand of fumfering, stammering panic. Still, MacFarlane has an undeniable charm that fuels a lot of the film's momentum, and he seems to genuinely charm (and crack up) Theron, looking here like an updated version of Sharon Stone in The Quick and the Dead. The supporting cast (which frankly includes Neeson) is great, and MacFarlane engages in several pieces of stunt casting and blink or you'll miss them cameos.
A Million Ways to Die in the West Blu-ray, Video Quality
A Million Ways to Die in the Westis presented on Blu-ray courtesy of Universal Studios with an AVC encoded 1080p transfer in 2.40:1. This digitally shot feature boasts an extremely strong and well defined image, with absolutely incredible depth of field in several awe inspiring outdoor establishing shots. The production design of the film doesn't really pop, and so colors are somewhat muted, but appear very accurate. There are exceptions to the generally drab palette, including the outrageous hallucination sequence that caps the film. Some of the CGI is quite subtle (MacFarlane discusses some of the minor animated elements in the commentary). There are a couple of odd moments triwest health alliance phone number look like they were green screened for some reason, including shots of MacFarlane in the two gunfights that bookend the film. Contrast is generally very stable, though there are some passing moments of crush in a couple of nighttime sequences. Otherwise the image is sharp, stable and very precise looking.
A Million Ways to Die in the West Blu-ray, Audio Quality
A Million Ways to Die in the West's lossless DTS-HD Master Audio 5.1 is a fairly boisterous affair, one often buoyed by the vibrant score by Joel McNeely, music which utilizes typical western and Americana cinematic tropes in the Aaron Copland or Elmer Bernstein traditions. There are some convincing effects scattered throughout the film, including the requisite amounts of gunfire and galloping horse hooves. There's also good attention paid to spatial differentiation, as in the whorehouse scenes where much of Silverman's material is happening out of frame. Dialogue is south carolina state lottery cleanly presented, fidelity is excellent and there are no issues of any kind to cause worry.
A Million Ways to Die in the West Blu-ray, Overall Score and Recommendation
There's a great moment toward the end of A Million Ways to Die in the Westwhere MacFarlane's Albert is speaking to Native Americans in their own language. They can't understand how a white "asshole" (as they term the settlers) can speak their language, to which Albert replies, "I'm a nerdasshole." That may indeed be a fairly accurate description of MacFarlane himself, and how much tolerance individuals have for a hugely disparate array of humor, some relatively smart, some inescapably stupid, some snarkily self-aware, some dumbed down and almost naive sounding, will determine how much actual laughter will result from watching the film. A Million Ways to Die in the Westmay not be consistent, but it's relentless, and that may actually win the war of comedic 1st choice financial services. Technical merits here are very strong, and A Million Ways to Die in the Westcomes Recommended.
A Million Ways to Die in the West: Other Editions
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