How old is Captain America in Avengers: Endgame?
Captain America finally got his dance with Peggy Carter in Avengers: Endgame.
After Iron Man (Robert Downey Jr) successfully snapped away all of the bad guys (including the big purple tormentor from Infinity War, Thanos), Steve Rogers (Chris Evans) took the Infinity Stones and Thor’s hammer back to the past where he and his fellow Avengers had collected them.
The trip was only supposed to take a few seconds, but when Cap didn’t return via the portal, Bucky (Sebastian Stan) and Sam (Antony Mackie) discovered him sitting by the lake, now a certified silver fox.
Avengers: Endgame news and reviews
It becomes clear that he had chosen to live out his years peacefully with the love of his life Peggy Carter (Hayley Atwell), only returning in order to give Falcon his shield, apparently passing on the mantel of Captain America.
His re-appearance as a still handsome, but significantly aged gentleman, throws up plenty of questions however. Did he really just go to the past to live out the rest of his days with his old flame? Wouldn’t that disrupt the current timeline? And what about the short-lived Marvel TV series Agent Carter – why was he nowhere to be seen?
But the main thing we kept wondering was… how old is Captain America meant to be at that point?
Let’s take a look at the facts…
Did he time travel back to the past?
Apparently not. Endgame directors Joe and Anthony Russo confirmed in an interview with Entertainment Weekly that Captain America went to a “branched reality” rather than the past of the current reality, because otherwise that would have disrupted the events of the Endgame timeline (hence the need to return the objects taken from the past back to their rightful places).
“If Cap were to go back into the past and live there, he would create a branched reality,” Joe Russo said. captain america the first avenger characters question then becomes, how is he back in this reality to give the shield away? Interesting question, right? Maybe there’s a story there.”
We’d like to think so…
How old is Captain America at the end of the film?
Ordepending on how you look at it.
Regardless of whether or not he lived out his years in our reality or another, he has certainly wiled away many, many years by his return to the Endgame timeline. The closing scene, which sees Steve and Peggy dancing to It’s Been A Long Long Time by Harry James And His Orchestra with Kitty Kallen, suggests he has returned to the s.
Here are the facts, as presented by the MCU. Steve “Captain America” Rogers was born on 4th July (obvs) He crashed into the Arctic sometime inat the age of 27, before being thawed out 66 years later, in For the events of Captain America: The First Avenger, he’s still physically 27, but technically For now we’ll go with 27, because ice.
The majority of the events of Endgame take place infive years after Thanos’s snap, and 12 years after Cap came out of the ice. So, Captain America is 27+12=39 years old before he even goes near a time machine. Or 93+12=
If we assume that he goes back to around the exact point that he disappeared from his old life in – he wouldn’t have left it too much later if he wanted to keep his relationship with Carter alight – he’d then have to wait around 78 years until for his rendezvous with his old teammates. 78+39= Or 78+=
How does he looks so bloody good for (0r )? Well, aside from Chris Evans being a real-life example of godlike genetics, Captain America’s genes were modified by the army in the s to turn him into a super soldier.
In the Marvel comics, the effect of the super soldier serum on Cap’s ageing is shown by what happens when it is neutralised or taken out of him. In Captain America Vol 7 #21, an injury takes the serum out of Steve Rogers and leaves him as an old man, at least 40 or 50 years older than he appears without it. So, it’s doing a lot of work to keep him hunky.
What this all means for his role in the MCU is unclear, but it’s probably fair to say we won’t be seeing Chris Evans leading any flicks in the near future…
Avengers: Endgame is out NOW
- The first episode of Marvel Studios' What If? depicts a world where Peggy Carter took the super-soldier serum instead of Steve Rogers.
- While he sounds similar, this version of Steve is actually not voiced by Chris Evans.
- Evans, along with a number of other Marvel Cinematic Universe stars, are among those who will not be returning to voice their roles for What If.?
The latest series in Marvel Studios' 's cavalcade of content is called What If.?, a nine-part animation project that imagines stand-alone episodes of slightly to not-so-slightly altered versions of Marvel Cinematic Universe stories we should all be familiar with. Many major cast members, including Josh Brolin as Thanos, Jeremy Renner as Hawkeye, and Samuel L. Jackson as Nick Fury are returning to voice their characters, but some may have noticed that the first episode finds a new actor portraying Steve Rogers for the first time in the MCU.
Chris Evans, along with a number of other stars, are among those not returning for What If? As the series continues, it may be worth checking whose voices are the same and whose are not. But while we may not know the exact reason that some of the voices are change-ups from the MCU films, there is a bit of information out there that can help us at least thing about it and contextualize it.
Why wasn't Chris Evans voicing Steve Rogers in the first episode of What If?
It's easy to speculate why Evans doesn't return to voice Steve in the first episode of Marvel Studios' first foray into both animation and speculative fiction. It's even easier to speculate after just watching this first episode, when basically every other key Captain America character—including Hayley Atwell, Sebastian Stan, Stanley Tucci, and even Jeremy Renner and Samuel L. Jackson—all return.
But Evans isn't alone. The episode shifts things up a little bit, and at least two other key The First Avenger characters are at least somewhat different. Tommy Lee Jones' character, Colonel Chester Phillips is gone from this reality, replaced instead by Colonel Flynn (voiced by Bradley Whitford). And Hugo Weaving is no playing voicing Red Skull, with Walking Dead actor Ross Marquand once again playing the character after doing so in both Avengers: Infinity War and Avengers: Endgame. Marquand has been busy in superhero animation this year, as he also provided a number of voices for Amazon Prime Video's excellent Invincible series.
They're not the only ones not returning either. While most of the MCU's biggest names will be returning to voice their characters in What If?, a handful of major players also including Robert Downey Jr., Elizabeth Olsen, Scarlett Johansson, Brie Larson, and Benedict Cumberbatch will get the Chris Evans treatment.
The show wasn't fully planning to get everyone, though.
"All of these people are extremely talented and they've got a lot of stuff going on," director Bryan Andrews told Uproxxin an interview "We figured we probably wouldn't be able to get everybody—but we got a lot, and that was great. So yeah, it'd be awesome to have everybody, but you've got to deal with what you've got to deal with. And if someone's too busy and they can't make it, it's a bummer."
Andrews elaborated in an interview with GamesRadarthat he didn't want to shortchange some of the replacement voice actors by calling what they do an "impression."
"The thing is, it’s trying captain america the first avenger characters to bump the audience too much and have it be as much of the person they remember from the show, but having the actor bring a little something to themselves," he said. "I’m not just doing an impression. It’s not about impressions, right? They have to actually act the moments and deliver some of the emotional intent."
The "scheduling" explanation doesn't entirely check out, though. The character of Drax the Destroyer plays a small role in Episode 2 of What If, which imagines T'Challa (voiced north texas football broadcast Chadwick Boseman in his final performance) becoming Star-Lord instead of Peter Quill. But Dave Bautista, who's played Drax in the MCU sincesays that he was never even approached to be in the series.
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So, as The X-Files used to say, "The truth is out there." But we may never know it for sure.
"Skinny Steve Rogers" in What If is actually voiced by Josh Keaton
Josh Keaton (no relation to Michael) is actually the one providing the voice of Steve Rogers in the first episode of What If?, titled "What IfCaptain Carter Were The First Avenger." But you probably wouldn't even second guess it if you didn't stick around for the credits, because Edmonds and evans funeral home portage indiana experienced voice actor who has previously voiced Hercules in Disney's TV adaptation of their hit '90s film and Spider-Man—does a pretty flawless impression of Chris Evans, particularly in the early parts of 's Captain America: The First Avengers.
It remains to be seen captain america the first avenger characters future episodes how some of those other key performers will be replaced, or how the characters will figure into the stories.
Evan RomanoEvan is an associate editor for Men’s Health, with bylines in The New York Times, MTV News, Brooklyn Magazine, and VICE.
This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at mynewextsetup.us
Captain America: The First Avenger (United States, )
It's fair to say that superhero saturation has set in. Not many years ago, every cinematic version of a comic book protagonist's adventures was awaited with baited breath. Now, because of an captain america the first avenger characters and sometimes careless flood of such titles, mainstream audiences have become apathetic, leaving it to die-hards to pack theaters on opening weekends. Captain Captain america the first avenger characters is the latest in a seemingly endless line of origin stories and the last of The Avengers prequels. Despite being the most venerable character in Marvel's line-up (he first appeared in ), Captain America is not a member of the vaunted A-list. In fact, were it not for his participation in The Avengers, one wonders whether the World War II patriot would have made it to the screen.
Although most of Captain America transpires in the s, it is bookended by modern-day scenes that serve little purpose beyond setting up The Avengers. That's one thing that has been increasingly annoying about the recent batch of Marvel movies - The Incredible Hulk, Iron Man 2, and Thor - they seem less like stand-alone motion pictures than advertisements for The Avengers. Captain America may walking the west highland way in 4 days the worst offender. The whole purpose of telling Captain America's origin story is so that when he appears in The Avengers, he will have a background. (Joss Whedon, director of The Avengers, allegedly had limited input to the Captain America script.)
Captain America falls into the prevalent pitfalls of origin stories. So much time and effort is expended explaining how the protagonist gains his super-powers (and farmers state bank cedar rapids his initial usage of them) that there's not enough opportunity to develop a compelling storyline beyond his "baptism." Then there's the issue of the main villain, Captain America's classic adversary Red Skull, who comes across as a Captain america the first avenger characters Bond-type take-over-the-world megalomaniac and isn't given a lot to do except exude over-the-top nastiness. The final confrontation is disappointing, lacking scope and energy. As bad as the Transformers movies are, at least Michael Bay thinks big.
The CGI work, it must be said, is at times exceptional, believably transforming actor Chris Evans into pound weakling Steve Rogers. In fact, the computer enhancements are so good that I couldn't determine whether they were also used to "beef up" Rogers after he undergoes the treatment that transforms him into bulky, hunky Captain America. As best I can tell, no special effects are needed for Hayley Atwell (who plays Rogers' love interest, Agent Peggy Carter), Sebastian Stan (Rogers' best friend and later Captain America's sidekick, Bucky Barnes), or Tommy Lee Jones (Captain America's commanding officer, Col. Chester Phillips). Jones is as fun as ever, using his familiar crusty personality to its best advantage. Visual chicanery comes into play with Hugo Weaving, whose Red Skull looks like something out of the Star Wars cantina.
The thing that differentiates Captain America from the umpteen other superheroes who have trodden across screens this summer is that the action takes place neither on modern-day Earth nor in outer space. In this case, we get a period piece - a re-imagination of how to pay tmobile bill by text of what went on behind the scenes in the struggle against the Nazis. Captain America, a super-soldier created by ex-German scientist Dr. Abraham Erskine (Stanley Tucci) using the "raw material" of Rogers' body, is initially employed as a propaganda figure for selling war bonds (he has a catchy theme song written by Alan Menken) before he is sent on a rescue mission behind enemy lines. However, instead of going after Hitler, Captain America gets sidetracked and ends up tangling with Red Skull and the secret society he has created. When it comes to re-writing World War II history, Quentin Tarantino did it better in Inglourious Basterds.
Director Joe Johnston uses a similar aesthetic here to the one he applied to The Rocketeer, another comic-inspired period piece. Despite the different characters and subject matter, the movies are peas in a pod. Having seen the movie in 2-D, I can't comment on whether the 3-D version compromises Johnson's use of slightly muted colors and carefully modulated lighting, but it's a good bet. 3-D is useful only when it comes to a "wow!" factor; it's putrid for subtleties like the ones employed by Johnston. (This is yet another post-production 3-D conversion.)
Comic book fans are likely to appreciate Captain America, which does a good job of consolidating the disparate origin aspects of the character into something easily digestible. Non-comic fans may have to fight the urge to stifle a yawn. There's nothing in Captain America worthy or praise or derision. It's a competently made, straightforward yarn that has little to offer those who are not already on the bandwagon. Anyone willing to sit through the edad de jose ron end credits will be rewarded by a short, unrevealing teaser for The Avengers. It's a reminder of what Captain America is all about: getting audiences primed for one of 's big events rather than providing something memorable for
Captain America: The First Avenger (United States, )
Should I Watch.? 'Captain America: The First Avenger'
Benjamin has been reviewing films online since and has seen way more action movies than he should probably admit to!
What's the big deal?
Captain America: The First Avenger is an action superhero film released in and is based on the Marvel comic-book character of the same name. It is the fifth film of Marvel's Cinematic Universe (MCU) and is the final film before Avengers Assemble which would unite all previously portrayed characters into one film. Unlike the other films, this is set primarily during the Second World War before linking up to the MCU at the end. Like its stablemates, it was a critical and commercial success and ultimately established Captain America into a franchise character of his own. A sequel was released during Marvel's second phase - Captain America: The Winter Soldier - while the third film was released inCaptain America: Civil War. It also saw the debut of Agent Peggy Carter who would go on to star in her own spin-off TV show.
What's it about?
In MarchNazi officer Johann Schmidt and his troops occupy the Norwegian town of Tønsberg intent on stealing a mysterious object known as the Tesseract which possesses unknown and possibly limitless powers. At the same time in New York, Brooklyn kid Steve Rogers is repeatedly attempting to enlist but is turned away every time due to illness and existing health problems. With his friend Bucky Barnes, he gives it one last shot with Dr Abraham Erskine and Erskine agrees to put Rogers onto a top secret "super solider" project led by himself, Colonel Phillips and SSR Agent Peggy Carter.
The experiment turns Rogers from a weak and gaunt individual to the very peak of human conditioning - stronger, faster, smarter. But shortly after the experiment is conducted, Dr Erskine is killed by a HYDRA assassin and the formula is lost. Initially stuck in a propaganda role, Rogers adopts the name Captain America and reluctantly mills v board of education of the district of columbia to it. But upon hearing that Bucky Barnes was missing in action, Rogers uses Peggy and Howard Stark's technology and know-how to get behind enemy lines and begin taking the fight to the Germans. Schmidt, meanwhile, has his hands on the Tesseract and threatens to rule the world single-handedly with what credit score you need for amazon credit card Cast
Steve Rogers / Captain America
Johann Schmidt / The Red Skull
James "Bucky" Barnes
Tommy Lee Jones
Colonel Chester Phillips
Dr Arnim Zola
Christopher Markus & Stephen McFeely *
Release Date (UK)
Action, Adventure, Sci-Fi
What's to like?
The decision to use the real-life history of the character - which was used for propaganda purposes during WW2 - to inspire the movie is brilliant, giving the film plausibility and a level of realism that Thorcompletely lacked. It's also refreshing to see such a film in a historical setting but still link up with the other Marvel films seen vans chima review far. It shows a real intelligence behind the screenplay and I thoroughly enjoyed this Boy's Own adventure with futuristic technologies and flame-throwing tanks amid tales of Nazi villainy and old-fashioned patriotism. It also looks the business, thanks to the heavyweight Marvel Studios production and unobtrusive CG.
Evans, previously the most annoying cast member of the swiftly forgotten Fantastic 4 films, matures very well into the role of Rogers, conflicted by his sense of duty and the difference between right and wrong. Attwell does so well that her character was given her own TV show but for me, Weaving deserves top marks for the Red Skull - Weaving has a knack for playing baddies and this is one of his best, beneath impressive makeup and lumbered with a panto-German farmers national bank prophetstown. It's such a shame he's ruled himself out of returning in future because he is a fantastic foil to Evans' goody-two-shoes character. So with a gripping story, stunning action sequences and some fine performances, Captain America: The First Avengeris surely a winner - right?
- This was the last Marvel film to be released by Paramount. Disney bought the rights for each subsequent release, starting with Avengers Assemble.
- Hugo Weaving has stated that he is indifferent to the finished product and he sadly has no desire to reprise the role in future due to the difficulty of the makeup process involved.
- Toby Jones, David Bradley (as the Tower Keeper) and Jenna Coleman (as Connie) have all appeared opposite Matt Smith in Doctor Who.
What's not to like?
Well, not quite. The film feels like it leaves out some details that would have been nice - take Rogers' Howling Commandos unit that he fight with during the war. We literally get one scene in a pub where they're all drinking and chatting and that's it. There's no explanation as to who these people are or how they first met Rogers which I would have liked. The film also takes a while to get going and the friendship between Rogers and Bucky also didn't feel as natural as it should. I felt that Stan was maybe getting short-shrift from the screenplay but as any Marvel fan-boy will tell you, he gets more to do in the future.
If you're already familiar with the character then you might feel short-changed by the film which is almost entirely an origin tale. It plants many seeds for future Marvel projects but I never got the feeling that it tells an original story with the character. Maybe a bit more time spent during the war and less on the build-up to Evans' remarkable physical transformation. And while I'm thinking about it, how quickly did Carter fall for Rogers as soon as he stepped out of the pod? Nit-picking maybe, but that's my job, I'm afraid!
Read More From Reelrundown
Should I watch it?
Oh yes, especially if you've seen the other Phase One films in the MCU. This is wonderfully written, well performed escapism at its very best and reminds you that with a bit more effort and thought, Marvel could escape from making tired retreads of films they've already made. Mills v board of education of the district of columbia was slightly underwhelmed by captain america the first avenger characters likes of Iron Man 2 and The Incredible Hulk but this is funnier, smarter, more interesting and more exciting than both of those. This is probably Marvel's best captain america the first avenger characters films released in Phase One and that's mighty praise indeed.
Great For: Marvel fan-boys, lovers of the original comics, action fans.
Not So Great For: WW2 reenactment societies, Hugo Weaving's agent.
What else should I watch?
Marvel have quickly developed a habit of releasing films once or twice a year now with little sign of the market getting bored. Fortunately, this means that nerds like myself have a multitude of movies to enjoy from the bare-knuckle brawling of The Incredible Hulk to the trippy Shakespearean excesses of Thor. Personally, I'd stick with Cap and his two sequels which make up a terrific trilogy, the brilliant space-opera that is Guardians Of The Galaxy and Iron Man 3.
For a more authentic WW2 experience then I suppose you couldn't do much worse than the likes of Saving Private Ryanwhich is both engaging and emotive in a way that might surprise you. Of course, there are hundreds of WW2 films you could watch but many more you could stay away from - for some reason, Pearl Harbour and Escape To Victory sprang instantly to mind
© Benjamin Cox
Benjamin Cox (author) from Norfolk, UK on June 08,
I've always preferred Cap to both Iron Man & Thor - his trilogy of movies are all brilliant but slightly different from each other whereas the rest simply seem to repeat the formula.
Laura Smith from Pittsburgh, PA on June 08,
This film was the first one to get me on board with the MCU. I feel like Cap is the glue of the franchise, and the after credits scene was so clever in the way that it got Cap to where he needed to be to join the Avengers in the next film. I just rewatched this one recently, and I liked it even more than I did before.
Benjamin Cox (author) from Norfolk, UK on May 02,
I must admit, I wasn't too impressed with Thor either. Steve's relationship with Bucky comes under greater scrutiny in "Civil War", although it does feel like a mini-Avengers film with so many characters in it.
Dina AH from United States on May 01,
Ah, this film changed things for me because I was quite intimidated by the MCU. Having watched Thor (and disliked it), I had dismissed these films and thought there was no space for someone who doesn't read comics. But, I did like the origin story of Steve Rogers, his friendship with Bucky Barnes, and his role in the war. I agree with you on the Howling Commandos not being fleshed out enough. I wish there was more of Bucky Barnes as well because that bond between him and Rogers comes up again in Winter Soldier and I wasn't entirely sold on it.
Captain America: The First Avenger – review
A shield? Growing up in the s, and first becoming aware of Captain America's crime-fighting career, that shield always seemed to me the most eccentric and awkward encumbrance to have to carry around all the time – almost an admission of vulnerability, a superheroic comfort blanket. Granted, it repels any bullet and can be frisbeed around the place as a weapon, but then there's the tiresome business of having to retrieve it afterwards; it cuts down on hand-to-hand combat and wouldn't some sort of body armour have been frankly more convenient? It almost looked as if Captain America's loyalty to this faintly ridiculous accessory was a kind of arrogance – that he can defeat his enemies with one hand in effect behind his back – or even that the shield amounted to a disability, like Daredevil's blindness, for which his powers were a triumphant, if neurotic over-compensation.
But doubt on the subject of the shield, and the Captain generally, is pretty much allayed by Joe Johnston's cheerfully strident new film version starring Chris Evans, in which his shield is seen to morph from a prototype in the prefect's-badge shape into the familiar sleek metal disc, like a flattened missile nosecone, which can be slung over the back or the forearm. The movie cleverly spins a meta-fictional "origin" myth for Captain America: explaining that he was in fact a propagandist comic-book superhero before becoming captain america the first avenger characters real one. The final scene of the film, and Captain America's very last line, are rather brilliant – though admittedly less brilliant if their sole purpose is to set up sequels.
In his preheroic life, Captain America is Steve Rogers, a plucky, scrawny bantamweight of a guy, with a body like a plucked and undernourished chicken. InSteve is desperate to enlist and fight Adolf. The problem is that he's got a string of illnesses and his physique fails to impress. Then Dr Abraham Erskine (Stanley Tucci) a mysterious German scientist at a military recruiting station – and a refugee from the Nazis – spots Steve and sees something in his neediness. Steve's the very guy for an experimental super-growth serum he's got up his white-coated sleeve, and so the conditions are in place to bring Captain America into the world.
The strange thing about the film is that in this early fate grand order edmond dantes, Chris Evans's head has clearly been CGI-ed onto the body of a wimp. In some scenes, from some angles, it appears to be that of a year-old boy. The effect is distinctly creepy, especially as Evans's face is about 30% too big, like a cartoon character: give him a beagle and a T-shirt with a zig-zag line across it and he could be Charlie Brown. If he was going to turn out to be a villain, his habitual humiliations and that alien-looking enormous head would make for a very plausible psychological background, and his subsequent red-white-and-blue colour scheme might suggest the scoundrel's traditional refuge. But of course Steve becomes a dynamic hero, gruffly indulged by his commanding officer Col. Chester Phillips (Tommy Lee Jones) and falling in love with a beautiful woman in uniform, Peggy Carter (Hayley Atwell) apparently on loan from British intelligence.
The stylish, post-modern explanation for Captain America's existence is that, once busting out all over with muscles, Steve is given a superhero costume and pressed into service as an explicitly fictional character, touring with a morale-raising gang-show to raise funds and even starring in a hokey movie serial. Inevitably, the Captain finds this showbiz imposture irksome and even humiliating, and needs a way to show the world that he can serve his country and fight the Nazis for real. The film's first act is a smart and inventive phase – perhaps inspired by Clint Eastwood's film Flags of Our Fathers, about the Iwo Jima servicemen who were forced to tour around recreating their mythologised "flag-raising" moment in order to sell war bonds.
Afterwards, when Captain America becomes a real superhero, some of the movie's steroidal muscle tone turns to fat. He has to fight a Nazi villain called Red Skull, played by Hugo Weaving, part of an SS Teutonic cult called the Hydra. This character has been experimenting with the serum himself, and it turns him into a tandoori-red devil with a Voldemort-like nasal absence. Weaving's German accent would appear to be a vocal tribute to Christoph Waltz in Tarantino's Inglourious Basterds – I almost wondered if Waltz had actually dubbed the lines in for Weaving. The clash between the Red Skull and Captain America with his international volunteer force is competently dramatised, but nothing more.
But then comes the strange coda, in which Captain America realises that his destiny as a superhero and a servant of the state is weirder than he could ever have imagined. Here is where the movie becomes, refreshingly, less wholesome than all that had gone before. The Captain isn't perfect, but he's the equal of Captain america the first avenger characters and loads better than the Green Lantern: he's the summer's pre-eminent superhero.